« Archives in November, 2009

#2508 Winter Decay | Arax 60 | 120

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GettyImages: Congrats to Mishmash winners David Hopkinson and Tommi Lius. Your innovative music videos stood out to the judges. http://bit.ly/3jI1EA

GettyImages: Congrats to Mishmash winners David Hopkinson and Tommi Lius. Your innovative music videos stood out to the judges. http://bit.ly/3jI1EA <a href='http://bit.ly/3D2qMA
‘>http://bit.ly/3D2qMA

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#5081 66% chance of rain | Hasselblad 500cm | 80mm | Fuji Velvia 50, 120

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66% chance of rain | Hasselblad 500cm | 80mm | Fuji Velvia 50, 120

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GettyImages: Getty Images captures the premiere of the “Twilight Saga: New Moon” Arrivals http://bit.ly/24RtXL

GettyImages: Getty Images captures the premiere of the “Twilight Saga: New Moon” Arrivals
http://bit.ly/24RtXL <a href='http://bit.ly/1BYzl2
‘>http://bit.ly/1BYzl2

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#5104 Leylandii Bokeh | Hasselblad 500cm | 80mm | Fuji Velvia 50, 120

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Leylandii Bokeh | Hasselblad 500cm | 80mm | Fuji Velvia 50, 120

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#4865 Walsham Le Willows | Arax 60 | 80mm Arsat | Ilford Panf, 120

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Walsham Le Willows | Arax 60 | 80mm Arsat | Ilford Panf, 120

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#5110 Fence #2 | Hasselblad 500cm | 80mm | Ilford Panf, 120

Paul Cooklin posted a photo:

#5110 Fence #2 | Hasselblad 500cm | 80mm | Ilford Panf, 120

Hasselblad 500cm | 80mm | Ilford Panf, 120

This is the second shot of the same composition as this one www.flickr.com/photos/paulcooklin/4075949078/in/set-72157…. However, this was shot at f16 which has increased the depth of field which naturally resulted in a longer exposure, hence the movement in the grasses.

http://bit.ly/3F32OH

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#5144 Hay Bails | Hasselblad 500cm | 80mm | Fuji Astia 100F, 120

Paul Cooklin posted a photo:

#5144 Hay Bails | Hasselblad 500cm | 80mm | Fuji Astia 100F, 120

Hasselblad 500cm | 80mm | Fuji Astia 100F, 120

One of the nice things about the Hasselblad (along with my Bronica) is being able to swap backs from colour to b&w (or vice versa), or to any other film while keeping the same composition, shutter/aperture etc. Im not keen on desaturating colour images to b&w as there’s a noticeable difference in shooting b&w film. After all, isn;t being able to shoot b&w film the reason why we shoot film anyway…well, one of the reasons perhaps.

The highlights are blown on this shot due to metering for the shadows…for me the interest was in the bails and not the sky…

http://bit.ly/44BYTX

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#5178 Hay Bails | Hasselblad 500cm | 80mm | Ilford Panf+, 120

Paul Cooklin posted a photo:

#5178 Hay Bails | Hasselblad 500cm | 80mm | Ilford Panf+, 120

Hasselblad 500cm | 80mm | Ilford Panf+, 120

http://bit.ly/3AzkYK

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#5182 Hasselblad 500cm | 80mm | Ilford Panf+, 120

Paul Cooklin posted a photo:

#5182 Hasselblad 500cm | 80mm | Ilford Panf+, 120

This shot is from one of my first tests of my Hasselblad…a quick drive from my house and I found these hay bails…other shots from this roll are in my stream…I held a red filter over the lens which caused some additional vignetting to the bottom left hand corner…I now have a step-up filter so I can use my 62mm filters..

Hasselblad 500cm | 80mm | Ilford Panf+, 120

http://bit.ly/1BXv5d

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